ID |
Image |
Oil Pantings, Sorted from A to Z |
Other Information |
94800 |
|
Adoration of the Shepherds |
1609
Type Oil on canvas
Dimensions 314 cm x 211 cm (124 in x 83 in)
cyf |
5805 |
|
Adoration of the Shepherds fg |
1609
Oil on canvas, 314 x 211 cm
Museo Nazionale, Messina |
20355 |
|
Alof de Wignacourt and His Page (mk05) |
1608(painted at Malta)
canvas,76 1/2 x 53''(194 x 134 cm).Acquired by Louis XIV in 1670 |
5776 |
|
Amor Victorious dsf |
1602-03
Oil on canvas, 156 x 113 cm
Staatliche Museen, Berlin |
91696 |
|
Amor vincit omnia. |
c. 1602(1602)
Medium oil on canvas
Dimensions Height: 156 cm (61.4 in). Width: 113 cm (44.5 in).
cjr |
29938 |
|
Bacchus |
mk67
Oil on canvas
37 3/8x33 7/16in
Uffizi,Gallery
|
33251 |
|
Bacchus |
mk83
1589-1596
oil on canvas
95x85cm
|
33572 |
|
Bacchus |
mk86
c.1598
Oil on canvas
98x85cm
Florence,Galleria degli Uffizi
|
34696 |
|
Bacchus |
mk96
1597
95x85cm
|
40401 |
|
Bacchus |
mk156
c.1596
Oil on canvas
95x85cm
|
5727 |
|
Bacchus (detail) fg |
c. 1596
Oil on canvas, height of detail: 25 cm
Galleria degli Uffizi, Florence |
22531 |
|
Bacchus (detail) (df01) |
1593-1595
Florence,Galleria degli Uffizi |
5726 |
|
Bacchus (detail) gg |
c. 1596
Oil on canvas, height of detail: 25 cm
Galleria degli Uffizi, Florence |
33569 |
|
Basket of Fruit |
mk86
c.1596
Oil on canvas
46x64cm
Milan,Biblioteca Ambrosiana
|
5735 |
|
Basket of Fruit df |
c. 1597
Oil on canvas, 31 x 47 cm
Pinacoteca Ambrosiana, Milan |
5799 |
|
Beheading of Saint John the Baptist fg |
1608
Oil on canvas, 361 x 520 cm
Saint John Museum, La Valletta |
43080 |
|
Boy Bitten by a Lizard |
mk170
1595-1600
Oil on canvas
66x49.5cm
|
5717 |
|
Boy Bitten by a Lizard f |
c. 1594
Oil on canvas, 66 x 49,5 cm
National Gallery, London |
5714 |
|
Boy Peeling a Fruit df |
c. 1593
Oil on canvas, 75,5 x 64,4 cm
Longhi Collection, Rome |
40404 |
|
Boy with a Basket of Fruit |
mk156
c.1595
Oil on canvas
70x67cm
|
56036 |
|
boy with a basket of fruit |
mk247
c.1593,oil on canvas,27.5x26.375 in,70x67 cm,galleria borghese,rome,ltaly |
5716 |
|
Boy with a Basket of Fruit (detail) fg |
c. 1593
Oil on canvas
Galleria Borghese, Rome |
5715 |
|
Boy with a Basket of Fruit f |
c. 1593
Oil on canvas, 70 x 67 cm
Galleria Borghese, Rome |
5802 |
|
Burial of St Lucy (detail) fg |
1608
Oil on canvas, width of detail: 207 cm
Bellamo Museum, Syracuse |
5801 |
|
Burial of St Lucy fg |
1608
Oil on canvas, 408 x 300 cm
Bellamo Museum, Syracuse |
90693 |
|
Caravaggio |
1594-1596
Medium oil on canvas
cjr |
92062 |
|
Caravaggio Cardsharps Kimbell detail |
1594; Oil on canvas
cyf |
64297 |
|
card-players, c |
1590-95
courtesy of the fogg art museum, harvard university, cambridge, mass |
58165 |
|
Cavalier Malta |
mk261 Florence, Palatina Gallery, Pitti Palace. |
5791 |
|
Christ at the Column fdg |
c. 1607
Oil on canvas, 134,5 x 175,5 cm
Mus??e des Beaux-Arts, Rouen |
62374 |
|
Christ in the Garden |
154 x 222 cm Formerly Kaiser-Friedrich-Museum, Berlin The painting was destroyed in the Second World War, it is known to us today through extant black and white photographs. This was a wonderful composition that caught the instant in which Christ awakes the sleeping apostles. The construction of the scene descends toward the lower right corner. St Peter in particular is shown in a classical position (which has been called Carracci-like), with the containment that characterizes this moment in the artist's career. Author: CARAVAGGIO Title: Christ in the Garden , 1551-1600 , Italian Form: painting , religious |
56856 |
|
Christian burial |
mk250 Rome, Italy, St. Mary s Church Chapel Pierrot, the year 1603. Oil painting on cloth, about 300 x 201 cm. |
92158 |
|
Christus in Emmaus |
c. 1600
Medium oil on canvas
cjr |
30537 |
|
Conversion of Saint Paul |
mk67
Oil on canvas
7'6"x5'9"
Rome,Church of Santa
1600-1601
Italy
|
94791 |
|
Conversion of Saint Paul |
1600/1601
Type Oil on cypress wood
Dimensions 237 cm x 189 cm (93 in x 74 in)
cyf |
88432 |
|
Crucifiction of St. Peter |
1600(1600)
Medium Oil on canvas
Dimensions Height: 230 cm (90.6 in). Width: 175 cm (68.9 in).
cjr |
94796 |
|
Crucifixion of Saint Andrew |
circa 1607(1607)
Medium oil on canvas
cyf |
62390 |
|
David |
110 x 91 cm Museo del Prado, Madrid This painting addresses the subject of David and Goliath, which the artist repeatedly dealt with later in his career, with a perfect linearity of means and intelligence of iconographic invention. As in the early Renaissance, David is shown as the adolescent who triumphs not by his strength, but by his power of character and his faith. The oblique pose of the figure (David stands partly parallel to the picture plane) is constructed with admirable skill. Caravaggio has a particular importance for Spain, for he originated the realist and 'tenebrist' style of painting that enjoyed such development and popularity there in the work of such artists as Ribera and Zurbar?n. This mature work demonstrates the fundamentals of his art: an emphatic solidity created by a harsh contrast of light and shade; the immediacy created by staging the action right in the foreground, and eliminating all superfluous space around it (conventionally, David would have been given room to stand up, so to speak); the elimination of decoration, such as colour or elegant posture, in order to concentrate on the drama alone |
88422 |
|
David |
between 1606(1606) and 1607(1607)
Medium Oil on wood
Dimensions Height: 90.5 cm (35.6 in). Width: 116 cm (45.7 in).
cjr |
94789 |
|
David and Goliath |
1599
Type Oil on canvas
Dimensions 110 cm x 91 cm (43 in x 36 in)
cyf |
5808 |
|
David dfg |
1609-0
Oil on canvas, 125 x 101 cm
Galleria Borghese, Rome |
5767 |
|
David fgfd |
1600
Oil on canvas, 110 x 91 cm
Museo del Prado, Madrid |
5786 |
|
David fghfg |
1606-07
Oil on wood, 90,5 x 116 cm
Kunsthistorisches Museum, Vienna |
70757 |
|
david med goliats huvud |
cirka 1606
pa poppeltra 116x90.5cm
se |
70717 |
|
David mit dem Haupt des Goliath |
Medium Oil on poplar
Dimensions Expression error: Missing operand for *90.5 ?? 116 cm
|
26765 |
|
David with the Head of Goliath |
mk52
c.1610
Oil on canvas
125x100cm
Galleria Borgese,Rome
|
39617 |
|
David with the head of Goliath |
mk150
c.1606
Panel
90.5x116cm
|
67400 |
|
de sju barmhartighetsgarningarna |
se |
94803 |
|
Denial of Saint Peter |
1610
Type Oil on canvas
Dimensions 94 cm x 125 cm (37 in x 49 in)
cyf |
85151 |
|
Deposition of Christ |
oil on canvas, 1602 - 04
cyf |
48649 |
|
Detail of Supper of Aaimasi |
mk191
Oil on canvas
|
43084 |
|
Detail of The Supper at Emmaus |
mk170
|
30268 |
|
Details of Martyrdom of St.Matthew |
nn05
Gentle angel for a cardinal
|
30270 |
|
Details of Martyrdom of St.Matthew |
nn05
Bloddthirsty murder,fear and horror
|
30271 |
|
Details of Martyrdom of St.Matthew |
nn05
To bear witness and die for One's beliefs |
30272 |
|
Details of Martyrdom of St.Matthew |
nn05
Bloodthirsty murder,fear and horror
|
30273 |
|
Details of Martyrdom of St.Matthew |
nn05
A wild and violent painter |
92152 |
|
Die Ruhe auf der Flucht nach agypten |
1594-1596
Medium oil on canvas
cjr |
71716 |
|
Dornenkronung Christi |
um 1602/1604
Oil on canvas
127 x 166 cm
|
94793 |
|
Ecce Homo |
1605
Type Oil on canvas
Dimensions 128 cm x 103 cm (50 in x 41 in)
cyf |
5777 |
|
Ecce Homo dfg |
c. 1606
Oil on canvas, 128 x 103 cm
Palazzo Rosso, Genoa |
30543 |
|
Entombment of Christ |
mk68
Oil on canvas
9'10"x6'7"
Vatican
1602-1603
Italy
|
5790 |
|
Flagellation dgh |
c. 1607
Oil on canvas, 390 x 260 cm
Museo Nazionale di Capodimonte, Naples (loan)
|
45444 |
|
Fruits basket |
mk186
around 1597/98
Milan, Pinacoteca Ambrosiana |
73089 |
|
Gemalde der Contarelli |
Date 1599-1600
Medium English: Oil on canvas
Deutsch: Öl auf Leinwand
cyf |
34918 |
|
Head of the Medusa |
mk98
c.1596-1598
Oil on a shield covered with leater
60x55cm
|
76423 |
|
Hieronymus beim Schreiben |
Date 1605-1606
Medium Oil on canvas
Dimensions 112 ?? 157 cm (44.1 ?? 61.8 in)
cyf |
74886 |
|
Hl. Hieronymus beim Schreiben |
1605-1606
Oil on canvas
112 X 157 cm (44.09 X 61.81 in)
cjr |
56514 |
|
jesus och larjungarna i emmaus |
mk248 gesterna i der bar bilden sger oss en bel del. larjungrns utrackta bander till boger,de andra som griper tag i sina stolar, fangar en ogonblicksbild av insikt da den skagglose yngling som de traffat langs vagen avslojar sig som den ateruppstandne lristus nar ban valsignar maltiden. stillebenet med frukter ger biblisk erferenser till ateruppstandelse ocb uppfyllda forvantningar medan applena frestelsens symboler ar markbart maskstungna. |
85567 |
|
Johannes der Taufer |
1602(1602).
Medium Oil on canvas.
Dimensions 132 x 97 cm (52 x 38.2 in).
cyf |
315 |
|
Judith and Holofernes |
1599
Galleria Nazionale de Arte Antica, Rome
|
43845 |
|
Judith Beheading Holofernes |
c. 1598
Oil on canvas,
145 x 195 cm |
5738 |
|
Judith Beheading Holofernes (detail) gf |
c. 1598
Oil on canvas
Galleria Nazionale d'Arte Antica, Rome |
5739 |
|
Judith Beheading Holofernes (detail) vc |
c. 1598
Oil on canvas
Galleria Nazionale d'Arte Antica, Rome |
45590 |
|
Jungling with fruits basket |
mk186
around 1593/94 Rome, Galleria Borghese |
5816 |
|
Jupiter, Neptune and Pluto d |
1597-1600
Ceiling painting in oil, 300 x 180 cm
Casino Boncompagni Ludovisi, Rome |
31005 |
|
La Diseuse de bonne aventure |
mk70
Toile
H.0.99
L.1.31
Paris,Musee du Louvre
|
31003 |
|
La Mort de la Vierge |
mk70
Toile
H.3.69
L.2.45
Paris,Musee du Louvre
|
48650 |
|
Leaning younger in rose bush |
mk191
Oil on canvas
|
5725 |
|
Lute Player (detail) gg |
c. 1596
Oil on canvas
The Hermitage, St. Petersburg |
5724 |
|
Lute Player f |
c. 1596
Oil on canvas, 94 x 119 cm
The Hermitage, St. Petersburg |
326 |
|
Lute Player5 |
1595
The Hermitage, St.Petersburg
|
53778 |
|
Lutspelaren |
mk234
about 1596
94x120cm |
5795 |
|
Madonna del Rosario (detail) dsf |
1607
Oil on canvas, width of detail: 64 cm
Kunsthistorisches Museum, Vienna |
5794 |
|
Madonna del Rosario (detail) fdg |
1607
Oil on canvas, width of detail: 64 cm
Kunsthistorisches Museum, Vienna |
5793 |
|
Madonna del Rosario df |
1607
Oil on canvas, 364,5 x 249,5 cm
Kunsthistorisches Museum, Vienna |
43835 |
|
Madonna di Loreto |
1603-05
Oil on canvas,
260 x 150 cm |
5783 |
|
Madonna Palafrenieri (detail) f |
1606
Oil on canvas, width of detail: 47 cm
Galleria Borghese, Rome |
5782 |
|
Madonna with the Serpent |
1606
Oil on canvas, 292 x 211 cm
Galleria Borghese, Rome |
5781 |
|
Madonna with the Serpent df |
1606
Oil on canvas, 292 x 211 cm
Galleria Borghese, Rome |
70758 |
|
madonnan med rosenkransen |
cirka 1606
pa duk 249x364cm
se |
62386 |
|
Magdalene |
122,5 x 98,5 cm Galleria Doria-Pamphili, Rome This picture and The Rest on the Flight into Egypt must have been painted around the same time, for the same girl sat for the Magdalene and the Madonna. On this occasion, however, there are none of the usual signs of a religious scene such as a halo. A young girl, seen from above, is seated on a low stool in one of Caravaggio's favourite cave-like settings, with a triangle of light high up on the wall behind her. Discarded jewellery - a string of pearls, clasps, a jar (perhaps holding precious ointment) - lies on the floor. The girl's hair is loose, as if it has just been washed. Her costume, consisting of a white-sleeved blouse, a yellow tunic and a flowery skirt, is rich. Bellori, who gives a careful description of this picture, which he came across in the collection of Prince Pamphilj, regards its title as an excuse; for him it is just a naturalistic portrayal of a pretty girl. This seems to show a willful failure to understand Caravaggio's intention or the wishes of the man who commissioned it, Monsignor Petrignani. The repentant Mary Magdalene, like the repentant Peter, was a favourite subject of Counter-Reformation art and poetry, which valued the visible expression of the state of contrition 'the gift of tears'. Caravaggio's heroine is sobbing silently to herself and a single tear falls down her cheek. She is, as it were, poised between her past life of luxury and the simple life she will embrace as one of Christ's most faithful followers. It is a sign of the painter's skill that he makes this inner conflict moving at the same time as he makes its representation delectable. Although nothing painted in the sixteenth century is as emotive as the statue in wood of the haggard saint carved by Donatello (c.1456-60), by the time Titian's bare-breasted Magdalene of the 1530s (Palazzo Pitti, Florence) had become the more modest and affecting Magdalene of the 1560s, there had been a move in religious sensibility towards the humble and pathetic, a change which thirty years later Caravaggio could take for granted |
5731 |
|
Magdalene (detail) fdf |
1596-97
Oil on canvas, width of detail: 30 cm
Galleria Doria-Pamphili, Rome
|
5730 |
|
Magdalene gd |
1596-97
Oil on canvas, 122,5 x 98,5 cm
Galleria Doria-Pamphili, Rome |
53781 |
|
Maltiden in Emmaus |
mk234
1600-01
140x195cm |
45708 |
|
Maria Magdalena |
mk186
1594/95 Rome, Galleria Doria Pamphilj |
53780 |
|
Marie dod |
mk234
1605/06
370x244cm |
313 |
|
Martha and Mary Magdalene |
1595
Detroit Institute of Arts
|
5737 |
|
Martha and Mary Magdalene gg |
c. 1598
Oil on canvas, 97,8 x 132,7 cm
Institute of Arts, Detroit |
85285 |
|
Martyrdom of Saint Sebastian. |
Date c. 1610-1620
Medium Oil on canvas
Dimensions 124 x 162.5 cm (48.8 x 64 in)
cjr |